13 years after her 'death', Madeleine West's Dee Bliss returns to Neighbours. Sometimes, you just need some green slime in your life! Check out the celebrities we completely forget were once on Nickelodeon shows. Cast information, reviews, synopsis, and trailer. The Resurrected (1991). John Terry, Jane Sibbett, Chris Sarandon. Brent V. Friedman. Charles Dexter Ward's wife enlists the help of a private detective to find out what her husband is up to in a remote cabin owned by his family for centuries. Aspect Ratio: 1. 85:1.
English DTS-HD MA Stereo. Release Date: 9/12/2017. • Audio Commentary with Producers Mark Borde and Kenneth Raich, Screenwriter Brent V. Friedman, Actor Richard Romanus and Makeup Effects Artist Todd Masters. • “Claire’s Conundrum” Featurette. • “The Strange Case of Charles Dexter Ward” Featurette. • “The Resurrected Man” Featurette. • “Abominations & Adaptations” Featurette. ![]() A biographical account of Iosef Vissarionovich Dzhugashvili, Koba, the Man of Steel, or Joseph Stalin, 1879-1953. The post-resurrection appearances of Jesus are the earthly appearances of Jesus to his followers after his death, burial and resurrection. Believers point to them as. • “Grotesque Melodies” Featurette. • “Lovecraftian Landscapes” Featurette. • “Human Experiments” Featurette. • Chainsaw Awards Speech. -Marantz SR7010 9. 2 Channel Full 4K Ultra HD AV Surround Receiver. -Panasonic DMP-BD60K Blu-Ray Player. -Chane A2. 4 Speakers. -SVS SB12-NSD 12" 400-watt Sealed Box Subwoofer. Though probably best known as the writer of the original Alien , Dan O’Bannon also had a minor hit as the director of 1985’s Return of the Living Dead. O’Bannon returned to the director’s chair only one more time: 1991’s The Resurrected. Part of a wealthy family, Charles Dexter Ward (Chris Sarandon) works as a chemical engineer, and he uses his skills for an unnatural end. Along with a centuries-old diary written by one of Charles’ ancestors, he performs experiments intended to develop immortality. Charles does all this at a remote cabin owned by his family, and his seclusion stirs the concerns of his wife Claire (Jane Sibbett). Along with private investigator John March (John Terry), Jane seeks to reach her husband before it’s too late. Given that O’Bannon’s first directorial effort also focused on deceased people brought back to life, Resurrected seems like an odd choice for his follow-up to Return of the Living Dead. I guess he didn’t worry too much that he’d become “typecast” as a filmmaker. To be fair, Resurrected doesn’t really remake Return - beyond basics, they share little in common. Resurrected does share more similarities with another film from 1985: Re-Animator. Not only do both movies emanate from HP Lovecraft stories, but also they both emphasize a sense of Gothic horror, unlike the wild, punk rock ethos of Return. Unfortunately, Resurrected fails to match up with the well-executed Re-Animator. The O’Bannon film seems muddled and unsure of itself, as it offers a wholly forgettable experience. Much of the time, the movie feels more film noir than horror, and it also exhibits strong Hitchcock influences as well. These dominate the first half, as the film comes across more like a remake of Vertigo than anything else. The horror side ramps up in the second half, but the story becomes no more involving. We simply never invest in the characters or care about Charles’s work. The film tosses semi-laughable monsters at us without any real impact – we get attempts at scares that lack punch. The actors don’t help. Sarandon camps it up as nutty Charles, while Terry and Sibbett both feel like exiles from soap operas. None of them add to their bland characters to abet the movie’s success. The basic substance of Resurrected could’ve worked, but the movie never latches onto an identity. It flails along for 105 minutes and never threatens to become anything entertaining. The Resurrected appears in an aspect ratio of approximately 1. 85:1 on this Blu-ray Disc. This was a bland image. Sharpness became the biggest issue, as occasional scenes looked awfully soft. Much of the film boasted good delineation, but those fuzzy shots became a notable distraction. I saw no signs of jaggies or moirй effects, and edge haloes remained absent. In terms of print flaws, I witnessed the occasional speck but overall, the movie remained clean. Colors tended to look decent. The film went with a fairly natural palette but couldn’t bring much life to the hues, so they remained average. Blacks were okay, as they showed acceptable depth but never became especially impressive. Shadows appeared similarly passable but unexceptional. This became a dated presentation. Expect a similarly mediocre DTS-HD MA Stereo soundtrack. The channels demonstrated good stereo presence for the score but had little else to do. While effects occasionally spread to the sides, we didn’t get a whole lot of breadth to the affair, so the mix lacked much involvement. Audio quality appeared acceptable. Speech seemed fairly concise and natural, without obvious edginess or intelligibility issues. Music fared best, as the score showed reasonable range and punch. Effects remained average, with fair clarity but not a lot of depth. Overall, this was a lackluster mix. The Blu-ray comes with a mix of extras, and these open with an audio commentary from producers Mark Borde and Kenneth Raich, screenwriter Brent V. Friedman, actor Richard Romanus and makeup effects artist Todd Masters. All five sit together for a running, screen-specific look at story/characters, working with director Dan O’Bannon, effects and cinematography, cast and performances, sets and locations, music and connected domains. On the positive side, this becomes a more coherent chat than I expected, as it balances the five participants well. I worried that the track would turn chaotic, but all involved mesh nicely and don’t talk over each other. On the negative side, we simply don’t get an especially illuminating chat. Sure, we learn a fair amount about the film, but the commentary moves at a surprisingly sluggish pace given the number of participants, and it never seems better than “decent””. The track’s worth a listen but it feels average to me. Seven featurettes focus on interviews with movie personnel. Claire’s Conundrum runs 15 minutes, 29 seconds as actor Jane Sibbett. She discusses aspects of her career, with an emphasis on her Resurrected experiences. Sibbett offers a perky personality and gives us some good memories. Within The Strange Case of Charles Dexter Ward , we get a 24-minute, 22-second piece with HP Lovecraft biographer ST Joshi. He covers Lovecraft’s life and career, mainly related to the story adapted into Resurrected. Joshi provides a nice roster of insights. We hear from another actor via The Resurrected Man. This 15-minute, 34-second reel examines actor Chris Sarandon’s work in horror and his time on Resurrected. Next comes Abominations & Adaptations , a 17-minute, 48-second reel with screenwriter Brent V. Friedman. He discusses the source novel, his script and other memories of the production. This turns into another worthwhile chat. Music comes to the fore with Grotesque Melodies. It lasts 10 minutes, 14 seconds and features composer Richard Band’s observations about his score. Band delivers a fairly tight overview. Lovecraftian Landscapes runs seven minutes, 57 seconds and gives us thoughts from production designer Brent Thomas. He lets us know about his work on the movie’s sets in this brief but reasonably good chat. For the final featurette, we get Human Experiments. It fills 15 minutes, 56 seconds with notes from special effects artist Todd Masters about his creations for the film and other memories. Masters covers the subjects well. Nine Deleted/Extended Scenes occupy a total of 18 minutes, four seconds. Some of these offer additional exposition, and we get a little more monstrous action as well. None of them seem memorable, though we do find the short nude scene Sibbett refers to in her interview. A Chainsaw Awards Speech goes for three minutes. Introduced by Bruce Campbell and Quentin Tarantino, we hear from O’Bannon as he accepts a prize for Resurrected. Since we don’t find O’Bannon elsewhere on the disc, it’s nice to get a short glimpse of him. In addition to both home video and Japanese Trailers , we find a Photo Gallery. It running eight-minute, 10-second collection. It presents 92 images that mix shots from the set, behind the scenes elements and promotional materials. This offers a nice compilation. Dan O’Bannon boasts a strong horror pedigree, but The Resurrected doesn’t add to that positive history. Messy, overwrought and tedious, the movie lacks any scares or drama. The Blu-ray presents mediocre picture and audio along with mostly informative set of supplements. Resurrected becomes a wholly forgettable affair.
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Max Walker, an officer for a security agency that regulates time travel, must fend for his life against a shady politician who's intent on changing the past to. Timecop est un film réalisé par Peter Hyams avec Jean-Claude Van Damme, Mia Sara. Synopsis : En l'an 2004, l'homme sait enfin voyager dans le temps, générant une. Twenty years after a set of events, the TEC (Time Enforcement Commission), the agency that makes sure that no one travels into the past without permission and changes.
![]() Filmul Satantango (1994) este online subtitrat în format HD și este oferit de PeFilme.Net. Critics Consensus: It's no Terminator, but for those willing to suspend disbelief and rational thought, Timecop provides limited sci-fi action rewards. Critics Consensus: It's no Terminator, but for those willing to suspend disbelief and rational thought, Timecop provides limited sci-fi action rewards. AUDIENCE SCORE. Critic Consensus: It's no Terminator, but for those willing to suspend disbelief and rational thought, Timecop provides limited sci-fi action rewards. Timecop Photos. Michael Betzold, Rovi. as 1st McComb Guard. as 2nd McComb Guard. as 1st McComb Man. as 2nd McComb Man. as Aide Lawrence. as Judge Marshall. as Atwood Secretary. as Aide Secretary. as TV Commentator. as TEC Technician. as 1st Security Guard. as Virtual Reality Woman. as Washington Cop. Critic Reviews for Timecop. Van Damme is compelling only when he takes his clothes off. For the most part, Hyams' lackluster direction and the repetitive quality of the action sequences squander an intriguing premise and impressive production design, leaving few moments that elicit the sort of 'Wow!' response such fare needs in order to pros. SF specialist Peter Hyams, doubling as usual as director and cinematographer, leaves his record for mediocrity unblemished in this silly time-travel tale. Hyams is no stranger to large-scale sci-fi, so his management of the massive sets and slightly mechanical fx is more than adequate. Years of tireless persistence have begun to work in Mr. Van Damme's favor. It's hard not to enjoy his energy, even if his acting gifts still leave a lot to be desired. Maybe it's the formula, maybe it's all that time travel, but you just can't help thinking you've seen it all before. This brainless romp [is] a real blast. More fun than expected sci-fi, cop flick starring Jean-Claude for kicks. As time-travel pictures go, this Jean-Claude Van Damme vehicle is a passable but disappointing excursion into well-traveled terrain. Thanks to Hyams' professionalism, Timecop is a slickly-made, fast-paced and mildly-diverting B movie. Filled with holes, gaps, and the ilk, it's a minor Van Damme, meaning there is some minor fun. Waste of a great premise. They go back in time to 1994. Ooooh. Audience Reviews for Timecop. I didnt like this, its well done and looks OK but it lacks any kind of punch. Its pretty dull I thought, and like most other time travel flicks the story is predictable and the effects weren't that good even then, they now look really dated. There are some nice touches, like the soldier getting frozen and losing half his body and the odd good bit of fighting from JCVD but overall its really average. good van damme flick. Underthought and unoriginal but not unwatchable. Out of all Jean-Claude's solo movies, this is probably the best and most interesting. The time traveling aspect is really well done and in many ways logical, as is the need for a regulating task force. While it can get a little confusing at times for absolutely no reason, the main goal was to present a cool action with Jean-Claude kicking people all over the place. Cellular (2004). PG-13 | 94 min | Action , Crime , Thriller. A young man receives an emergency phone call on his cell phone from an older woman. The catch? The woman claims to have been kidnapped; and the kidnappers have targeted her husband and child next. Cellular est un film réalisé par David R. Ellis avec Kim Basinger, Chris Evans. Synopsis : Kidnappée, menacée et séquestrée, Jessica n'aura miraculeusement. New fundamental resistance exercise determinants of molecular and cellular muscle adaptations. See all photos. Top Billed Cast. All Cast & Crew. Reviews & Commentary. ![]() 13 September 2004 | Ruby Liang (ruby_fff). 6 | Straightforward good cop, bad cop movie plot supporting the central star of a cellular phone. Director David Ellis' "Cellular" 2004, is rather entertaining in spite of the predictable storyline.
Chris. Metacritic Reviews. Critic Reviews. Eric Bress and J. Mackye Gruber did uncredited rewrites of the script. Ricky Martin : Mom, will you still be a science teacher when I get into high school. Jessica Martin : Hmm. You never know. Why. Ricky Martin : 'Cause I think it'd be kind of weird to have your mom as a teacher. Ryan records Chloe on his cellphone at the pier and she tells him that he is "iresponsible, self-centered and completely childish". When he watches the recording in the truck, she never says "self-centered". The first part of the closing credits show cast and crew names on cellular telephone screens. Synopsis (WARNING: Spoilers). Country of Origin. Opening Weekend:. $10 100 571 (USA) (12 September 2004). $32 003 620 (USA) (12 December 2004). 25 August 2017 9:31 PM, +02:00 | Blogomatic3000. Frightfest 2017: ‘King Cohen’ Review. Cellular (2004) Trailer21 August 2017 12:13 PM, +02:00 | Den of Geek. 17 films to catch at Horror Channel FrightFest 2017. More Like This. 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SMOK TFV8 Review - The follow up to the hugely popular TFV4, Smoktech give us the Cloud Beast. Find out what we like and don't like about the TFV8 tank. · · Ben Kingsley in aeroplane scene from Sexy Beast as Don Logan - "Its the one with the ginger hair". Find great deals on eBay for the beast recliner and big recliner. Shop with confidence. This Slang page is designed to explain what the meaning of beast is. The slang word / phrase / acronym beast means. Online Slang Dictionary. A list of slang words. Don. Cinematography. 89 mins More details at IMDb TMDb Report this film. Popular reviews. According to IMDb:. "Ben Kingsley claims the character of Don Logan is largely based on his grandmother. I was going to rate this four stars, but fuck it. have five. RIP Ben's Grandma. After a spellbinding experience with Under the Skin, I was anxious to see Jonathan Glazer’s other work and I can safely say that Sexy Beast is definitely another incredible film of his resume. The dark humor keeps you entertained throughout the entire movie but there’s also a very interesting conflict lived by Ray Winstone’s character. The actor gives one his best performances and Ben Kingsley is absolutely insane on screen. He truly shines in this unconventional role, showing how versatile he can be. His presence was always unsettling and intimidating to watch. The other segment with Ian McShane was also engaging and his interactions with Winstone were quite memorable. Jonathan Glazer adds some surreal imagery and a strangely poetic quality to the dialogues, showing glimpses of what would come later in his career with Under the Skin. He is already becoming of my favorite directors and I can hardly wait to watch Birth. Just when I thought I'd seen it all (just kidding, obviously I haven't, I haven't even seen The Godfather Part II , it's a rhetorical device, try to keep up), Jonathan Glazer comes out with one of the most creative crime films of the new millennium. I went into Sexy Beast knowing nothing about it except that I absolutely loved Glazer's Under the Skin , and it put me so far on the edge of my seat wondering where it was going to go that I recommend anyone with any interest in gangster movies to check it out before reading anything else. There's no big central twist or anything like that, it's just so well executed and such a slightly shifted portrayal…. Oh, bloody hell. Fockin' lunacy. Fockin' sexy. Angry blokes swearin'. Some crazy cunt in a stupid bunny suit, some in stupid man suits. Oh, bloody hell. Ghandi swears like a God. Ohhhh. Ridiculous. Tremendous. Fantastic. Fan-dabby-dozy ---- tastic. "Shut up, c**t. You louse. You got some f**kin' neck ain't you. Retired? F**k off, you're revolting. Look at your suntan, it's leather, it's like leather man, your skin. We could make a f**king suitcase out of you. Like a crocodile, fat crocodile, fat bastard. You look like f**king Idi Amin, you know what I mean? Stay here? You should be ashamed of yourself. Who do you think you are? King of the castle? Cock of the walk? What you think this is, the wheel of fortune? You think you can make your dough…. Now this is a gangster film that will get under your skin. This is the directorial debut from Jonathan Glazer, who many of you will know from this year's Under the Skin. Every quality that that makes UTS such a powerful film is present in Sexy Beast. It's just not fully developed yet. It's one of the best looking gangster films I've seen. One of the best British gangster films I've seen and something that makes sure it stands out from the crowd. Glazer knows how to frame a shot. From the first scene onwards, every shot seems like it has been tailor made to impress the viewer. But don't get caught staring at the pretty pictures because this movie…. Recent reviews. Difficult to think of many other films that so succinctly exemplify what I value in the art form. Tonal complexity, black humor, visual imagination, heightened dialog, risk-taking performances and deft execution on each front. My only issue here is that the film's ending was not more mind-blowing than the rest of the film--but the story is so simple that it allows its immersive, dynamic style to overshadow the narrative to great effect. A triumphant, successful use of genre as a vehicle for something utterly outside the genre. So wish Glazer made a movie more than once every decade. Truest brit cunt, this film! Yes! Yes! Yes! Yes. Every time Ben Kingsley says "fuck" or "cunt" take a shot. You'll die. Ben Kingsley at his best. The film works as a novel in cinematic form to the credit of dialogue and plot development. The inclusion of dream sequences is both appropriate and bold. In 2001, British filmmaker Jonathan Glazer (director of only TWO other magnificent films, 'Birth' and 'Under the Skin') made a firecracker of a film, 'Sexy Beast,' and is a pitch perfect example of economical genre filmmaking: it's short, to the point, incredibly stylish, and unreasonably entertaining. Ben Kingsley delivers not only his fiercest performance but one of his absolute greatest as Don Logan, an unpredictable and unhinged gangster who stops at nothing to get his man to take part in a a lucrative heist. The man in question is Gal, played with an uncharacteristic (but thoroughly convincing) meekness by Ray Winstone, who wants nothing at all to do with the flashy but damaging life he led years ago. As the…. If Jonathan Glazer's intention was to make a film that was a takedown of British ex-pats living out a retirement under the blazing Spanish sun, then he couldn't have picked a better song than Peaches by The Stranglers to start it off with. That itself is a searing, way-ahead-of-its-time skewering of beach bum blokes with nothing better to do than ogle women down by the sea. And, of course, Ray Winstone almost ends up down in the sewer as he belatedly takes on the job that Ben Kingsley had been politely asking him to be a part of. Glazer makes his films in such a way that you can never be 100% sure of what his intentions are, so you…. Kingsleys best performance. My Favorite Movie Posters. Just a list of some pretty cool movie posters on the LB database. I haven't seen most of these movies. "The Dinner Scene". I don't make lists very often but I compiled this short list of films off the top of my head…. Good Films, 90 Minutes or Less. If you're feeling overwhelmed, but still want to squeeze a film into your daily routine, this list is made for…. © Letterboxd Limited. Made by fans in Auckland, New Zealand. Film data from TMDb. Mobile site. Cuirassiers have sniveled. Coppersmith is the uninjurious oleomargarine. 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